Music Analysis
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Music Analysis is the international forum for the presentation of new writing focused on musical works and repertoires. Through articles of this kind and through its lively Critical Forum, it also aims to take forward debates concerning the relationship of technical commentary on music with music theory, critical theory, music history and the cognitive sciences. Founded in 1982, Music Analysis publishes major orientation articles by respected scholars such as Allen Forte, Jean-Jacques Nattiez, Arnold Whittall, Alan Street, Kevin Korsyn and Jonathan Dunsby. The journal has also featured translations of important articles by Adorno, Molino, Ratz, Ruwet and Schenker. Music Analysis is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist.

JSTOR provides a digital archive of the print version of Music Analysis. The electronic version of Music Analysis is available at http://www.interscience.wiley.com. Authorized users may be able to access the full text articles at this site.

Journal information
All Issues
2010s
  1. 2018 (Vol. 37)
    1. No. 3 October 2018 pp. 271-427
    2. No. 2 July 2018 pp. 149-268
    3. No. 1 Special Issue on Film Music March 2018 pp. 1-146
  2. 2017 (Vol. 36)
    1. No. 3 October 2017 pp. 315-450
    2. No. 2 July 2017 pp. 163-310
    3. No. 1 Special Issue on Popular Music March 2017 pp. 1-160
  3. 2016 (Vol. 35)
    1. No. 3 October 2016 pp. 279-416
    2. No. 2 July 2016 pp. 142-278
    3. No. 1 March 2016 pp. 1-140
  4. 2015 (Vol. 34)
    1. No. 3 October 2015 pp. 305-424
    2. No. 2 Special Issue on Schenker Documents July 2015 pp. 151-303
    3. No. 1 March 2015 pp. 1-149
  5. 2014 (Vol. 33)
    1. No. 3 October 2014 pp. 263-428
    2. No. 2 Special Issue on Schubert's String Quintet in C major, D. 956 July 2014 pp. 129-261
    3. No. 1 March 2014 pp. 1-127
  6. 2013 (Vol. 32)
    1. No. 3 October 2013 pp. 291-431
    2. No. 2 July 2013 pp. 155-290
    3. No. 1 March 2013 pp. 1-153
  7. 2012 (Vol. 31)
    1. No. 3 October 2012 pp. 273-421
    2. No. 2 July 2012 pp. 127-272
    3. No. 1 March 2012 pp. 1-126
  8. 2011 (Vol. 30)
    1. No. 2/3 July-October 2011 pp. 151-477
    2. No. 1 March 2011 pp. 1-150
  9. 2010 (Vol. 29)
    1. No. 1/3 Special Issue on Music and Emotion March-October 2010 pp. 1-364
2000s
1990s
1980s