"Wolin surveys a wide range of French intellectuals' responses to Mao's China. The best of these responses creatively appropriate the concept of cultural revolution, leading to a new libertarianism and to the embrace of causes such as gay rights, women's liberation, and prison reform; the worst of them became fatally compromised by a blind endorsement of the crimes of Chinese communism. . . . Wolin skewers irresponsible intellectual posturing in a manner reminiscent of the late Tony Judt, but reveals an underlying sympathy with the goals and ideals, if not always with the choices, of the Gauchistes. A masterful performance."--Choice
"The Wind from the East will be a rewarding and exciting reading for all those with an interest in French studies, politics, and intellectual history."--Viola Brisolin, European Legacy
"Even as he is documenting the delusions of the sixty-eighters--often with considerable wit, and with a seemingly encyclopedic familiarity--Wolin grants credence to their skewed perception of the status quo in France and in the West more generally. Disagreements and exasperations aside, I found this book compulsively readable. The history of Sixties is a long way from being exhausted."--John Wilson, Books & Culture
"Richard Wolin has provided us with an informative and readable account of a fascinating episode in twentieth-century French intellectual history, knowledgeably placing it into its wider biographical and political contexts."--Moritz Föllmer, French History
"The Wind from the East tells the story of the '68 generation with a much needed awareness of the complexities of its intellectual odyssey. It is, in the end, a meditation of considerable depth on the formation of political judgments. As such, it is an important book, both within the field of French history and beyond."--Michael C. Behrent, H-France Review
A National Public Radio (npr.org/blogs) John Wilson Favorite Book of the Year in Books & Culture for 2010
One of Financial Times's Best Books in History for 2012
"Wolin argues that fascination with the Great Proletarian Cultural Revolution reflected, not simply a taste for exoticism, but a delayed response to postwar capitalist modernisation."--Scott McLemee, The National
"The Wind From the East must be regarded as a monument of committed scholarship. It is also a fascinating chronicle of people who, however ludicrous they may seem at times, did on occasion think and act with profound seriousness. For that reason the book is a valuable addition to the literature of the era."--David Gress, Wall Street Journal
"Most accounts of 1968 in Paris are either bathed in nostalgia or marinated in disappointment. We are thus all in Richard Wolin's debt for his careful and dispassionate account of those years. The Wind from the East is by far the best history I have read in any language of the Maoist moment in France. Sympathetic without being apologetic, Wolin is particularly deft at evaluating the heritage of France's controversial cultural revolution for contemporary politics. No one interested in the upheavals of the sixties should miss this book."--Tony Judt, author of Postwar: A History of Europe since 1945
"Richard Wolin has written a fascinating account of the French Left's Maoist moment, which pays all due attention to its follies and fantasies, but also manages to capture and to value its liberating effects."--Michael Walzer, Institute for Advanced Study
"The imperative to unify theory and practice has often led intellectuals down garden paths, perhaps none as hazardous as the one followed in the l960s by the French thinkers who embraced Mao's Cultural Revolution from afar. With understanding for their motivations, exasperation for their self-delusions, and appreciation for the unintended consequences of their actions, Richard Wolin recounts with sympathetic irony the follies and glories of intellectual commitment at its most extreme."--Martin Jay, University of California, Berkeley
"A lively and engaged history, sure to provoke debate."--Warren Breckman, University of Pennsylvania
"[A] fascinating and dispassionate account of one of the more curious follies of recent times."--Jeremy Jennings, Standpoint
