Touching Feeling: Affect, Pedagogy, Performativity

Eve Kosofsky Sedgwick

Published by Duke University Press 2003

Touching Feeling

Affect, Pedagogy, Performativity

Eve Kosofsky Sedgwick
Edited by: Michèle Aina Barale , Jonathan Goldberg and Michael Moon

In the series Series Q

https://doi.org/10.1515/9780822384786

Overview
Contents

About this book

A collection of essays examining theories of affect and how they relate to issues of performance and performativity.

Author / Editor information

Eve Kosofsky Sedgwick is Distinguished Professor of English at the CUNY Graduate Center. She is the author of numerous books including A Dialogue on Love and Epistemology of the Closet. Her books Tendencies; Fat Art, Thin Art, a book of poetry; Novel Gazing: Queer Readings in Fiction; and Shame and Its Sisters: A Silvan Tomkins Reader (coedited with Adam Frank) are published by Duke University Press.

Reviews

“Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech—aesthetic, bodily, affective—is its real topic.”—Lauren Berlant, author of The Queen of America Goes to Washington City

“Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that ’thought’ has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure.”—Wayne Koestenbaum, author of Andy Warhol

“[Sedgwick’s] ideas about the structures of desire between men in fiction have generated critical work for others, as her theories are put to work in rereadings of authors, texts, genres and periods. Any critic who so successfully challenges the fundamental terms of the discipline, and opens up new subjects for others to write and publish about, deserves fame and distinction. Moreover, Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving.”

-- Elaine Showalter London Review of Books

“[Sedgwick’s] miraculous prose keeps ideas and attitudes in play that would collapse into contradiction or program in a lesser writer. . . . In the era of queer theory, Sedgwick’s miraculating writing keeps open a sense of sexuality as not binarized, neither only instrumental nor irreducibly conflictual, even when she is most passionately engaged in the work of advocacy. Today, writing through and after “queer” in a landscape of political impoverishment, Sedgwick’s thought and writing function, as she would say, as a kind of semaphore: There is More Than This. I think we need her writing more than ever.”

-- Christopher Nealon American Literature

“Fearless, challenging and occasionally exhilarating, Sedgwick remains one of the most courageous critics around.”

-- Publishers Weekly

"Fifteen years after publication, and nine years after the death of its author, Touching Feeling stands out. Eve Kosofsky Sedgwick’s book defined subjects, keywords, and literary-critical ambitions that dominated discussion in English departments thereafter. Whether she set the future on this path or was superbly in tune with the contemporary mood is unclear."

-- Mark Greif Chronicle of Higher Education

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	ix
Acknowledgments Publicly Available Download PDF	xi
Introduction Requires Authentication Unlicensed Licensed Download PDF	1
Interlude, Pedagogic Requires Authentication Unlicensed Licensed Download PDF	27
1. Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel Requires Authentication Unlicensed Licensed Download PDF	35
2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative Requires Authentication Unlicensed Licensed Download PDF	67
3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank) Requires Authentication Unlicensed Licensed Download PDF	93
4. Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You Requires Authentication Unlicensed Licensed Download PDF	123
5. Pedagogy of Buddhism Requires Authentication Unlicensed Licensed Download PDF	153
Works Cited Requires Authentication Unlicensed Licensed Download PDF	183
Index Requires Authentication Unlicensed Licensed Download PDF	189

Language: English
Publisher: Duke University Press
Pages
- Main content: 208
Illustrations
- Other: 1 figure, 1 photo

eBook

Published: January 17, 2003
ISBN: 9780822384786