Julia Briggs:
The Measure of Life reflects its subject in being fully alive to complex interactions: Marder examines in detail Woolf's relationships with a range of figures, from her cook Nelly Boxall... to the composer Ethel Smyth, and to Octavia Wilberforce, who became her doctor in the final months of her life.... He reads people, novels and events with sensitivity and generosity.
The book reflects the author's keen understanding of Woolf as an emotionally and socially conflicted woman whose art flourishes even as her life and work during this time are haunted with the possibility of suicide.... This is literary biography at its best.
Ellen Rosenman, University of Kentucky:
One of the ironies of the Woolf industry is that writers keep turning out biographies—wonderful ones in their own way—that follow the conventional chronological/materialist format Woolf criticized so consistently. This book does not bog itself down in an exhaustive procession of dates, events, and details, but instead focuses on how Woolf experienced her own life, especially the interconnections among experiences, relationships and memories. It is the biography that comes closest to the feel of her novels.
Carolyn Kuebler:
Marder's approach... allows the reader to see Woolf's genius, her failures and her passions, as the complex, variegated days of a life. Woolf comes off as a hard-working writer who never rested on her popularity and praise. In this book Marder moves the last ten years of her life out from under the shadow of her suicide, and respectfully and lovingly puts this productive time into context. Household chatter, visits to the doctor, quibbles with servants, and blossoming friendships may not change Virginia Woolf's literary output or her influence; they do, however, make a good story of artistic struggle, a story worthy of its many retellings.
Taylor Antrim:
Marder... offers a supple narrative, a steady serving of biographical observation, the best of which focuses on Woolf's long-term fascination with drowning and death. In Marder's sensitive account, Woolf's suicide is not the unexplainable tragedy of madness, but rather the measured end of a narrative, as inevitable as it is unhappy.
Mary Gordon, author of Spending and Seeing Through Places:
In his elegantly written The Measure of Life, Herbert Marder urges us to remove Virginia Woolf from her customary position as the angel of our imagination, allowing her to take her place in the real, historical world.
Mark Hussey, author of Virginia Woolf A to Z:
Herbert Marder's narrative sustains the intimacy of an essay. Effacing the biographer's presence, he allows Woolf's own chains of metaphor to evoke the complex moods of her final decade. In simply retelling her story, uncluttered by speculation, Marder presents a richly detailed portrait of Woolf as an artist constantly struggling to create new forms and to come to terms with her own history.
Carolyn G. Heilbrun:
Herbert Marder follows Virginia Woolf through her last decade, offering a new and powerful close-up view of her. Neither literary criticism nor conventional biography, this is the nearest we shall come to living daily, and hourly, with her through the wartorn, yet gay and gallant, years that closed her life.
Shari Benstock, University of Miami:
Focusing on Woolf's life through the lens of the 1930s provides a rich, detailed snapshot of Virginia Woolf the artist and person. It is refreshing to read a biography of a figure who is so well known that one doubts anything new can be said and find real pleasure in meeting the biographical subject again. This is a fine piece of work, nuanced and balanced, offering a quiet and measured assessment of Woolf's life and work.
A biography of the last decade of Virginia Woolf's life that generously grants the reader an intimate view of her extraordinary world.... it is a tribute to his skills as a writer and to Woolf's life as an artist that his resulting work sings her praises clearly while not flinching from her failures.... Marder creates a breathing and multi-layered vision of a genius at work. The story ends, as it must, with Woolf's suicide in the river; the bleak ending feels not as harsh as it might because Marder has given the reader a real sense of the woman and the causes for her untimely death. A biography for those who love Woolf and for those who want to love her all the more by knowing her all the better.
For Marder... a motivation to write this book was her 'fascination with the way people change under stress.'... relying heavily on Woolf's diaries and letters, Marder allows the reader to see events from her unique perspective. Recommended.
