Katharine Hodgson:
Marat Grinberg's extensive and detailed study of Slutsky's work supports the view of the poet as a central figure in the Russian poetry of the last century, who inherited the techniques of the avant-garde Futurists and Constructivists, and had a formative influence on younger poets. . . . Grinberg leaves his readers in no doubt that Slutsky is a figure of major significance, a poet whose work deserves close attention. . . . If there has been a risk of viewing Slutsky through the simplistic model of the Soviet loyalist who fell into disillusion, Grinberg's work has succeeded in opening up new perspectives on the poet's work.
Henrietta Mondry (University of Canterbury), H-Judaic:
“Marat Grinberg states that his new reading of Slutsky collapses a number of central Russian and Soviet literary paradigms. It also challenges the interpretative stereotype of Slutsky as a quintessentially Soviet poet…this well-researched and well-argued book is a significant contribution to the field of Russian Jewish literature and the broader field of Jewish studies."
Rebecca Pyatkevich, Lewis & Clark College:
“Grinberg has written a perceptive work that serves as an original and provocative contribution useful to those interested in studying Slutsky’s work, either in Russian-Jewish literature or Jewish studies more generally, and to those looking to deepen their understanding of the complex processes at work in Russian poetic history in the mid-twentieth century by learning about one of its more important figures."
Slavic and East European Journal:
“Grinberg has written a perceptive work that serves as an original and provocative contribution useful to those interested in studying Slutsky’s work, either in Russian-Jewish literature or Jewish studies more generally, and to those looking to deepen their understanding of the complex processes at work in Russian poetic history in the mid-twentieth century by learning about one of its more important figures.”
Mikhail Krutikov, University of Michigan:
“From Grinberg… we get an entirely different Slutsky, a kind of Soviet Rashi, who created a “Judaic” interpretation of Soviet life. This alone makes Slutsky one of the most interesting and enigmatic literary figures in the history of the 20th century."
Barry Scherr:
"...original, wide-ranging and often provocative… this first monograph-length study of Slutskii in English enables a deeper appreciation of his remarkable talent."
Alexandra Smith, Reader in Russian Studies, University of Edinburgh:
“Grinberg’s illuminating study will be of use to students and scholars interested in modern poetry, comparative literature, Jewish and Russian twentieth-century literature, and the representation of historical memory. It is an important book that sheds new light on the history of Soviet literature and brings to the fore Slutsky’s powerful responses to the manifestations of anti-Semitism in the Soviet Union and to the collapsing Soviet monumental style and ideology in the postwar period."
Alice Nakhimovsky, Colgate University:
“In this erudite and insightful book, Marat Grinberg rescues a great poet from a numbing set of mid-century clichés. No longer a “war poet,” or “Soviet diarist,” or sometime Jew, Boris Slutsky emerges as he was in fact—a sometimes playful, sometimes anguished heir to Russian modernism, who read Jewish catastrophe through Jewish texts.”
David G. Roskies, Sol and Evelyn Henkind Professor of Yiddish Literature, Jewish Theological Seminary. Director, Center for Yiddish Studies, Ben Gurion University of the Negev:
“Boris Slutsky, according to this brilliant book, accomplished the seemingly impossible: a poet of Soviet times, he reforged the totality of Russian literary culture, from Church Slavonic to Pushkin to Khlebnikov and beyond, within the crucible of Jewish self-understanding. Marat Grinberg, author of this impressive study, has also accomplished the seemingly impossible. He demonstrates how this supremely Russian poet can and must be read in his totality: “from right to left,” from beginning to end, and from his desk drawer to Red Square.”
