Duchamp and the Aesthetics of Chance: Art as Experiment

Herbert Molderings

Published by Columbia University Press 2010

Duchamp and the Aesthetics of Chance

Art as Experiment

Herbert Molderings
Translated by: John Brogden

In the series Columbia Themes in Philosophy, Social Criticism, and the Arts

https://doi.org/10.7312/mold14762

Overview
Contents

About this book

Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.

Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before.

The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.

Author / Editor information

Herbert Molderings is a freelance scholar and professor of art history at the Ruhr-University Bochum, Germany. The author of eleven books, he specializes in the history of modern and contemporary art, European photography of the twentieth century, and the works of Marcel Duchamp, Man Ray, Lászlo Moholy-Nagy, and Umbo. Molderings is a former fellow of the Institute for Advanced Study in Berlin and a former director of a research program at the Centre allemand d'histoire de l'art in Paris. He divides his time beween Cologne and Paris.

John Brogden lives in Dortmund, Germany, and specializes in the translation of art historical subjects.

Reviews

...charming, erudite, and academically thorough volume...

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	vii
List of Illustrations Requires Authentication Unlicensed Licensed Download PDF	ix
Introduction Requires Authentication Unlicensed Licensed Download PDF	xi
1. The Idea of the Fabrication Requires Authentication Unlicensed Licensed Download PDF	1
2. The 3 Standard Stoppages in the Context of the Large Glass Requires Authentication Unlicensed Licensed Download PDF	7
3. The 3 Standard Stoppages as Paintings Requires Authentication Unlicensed Licensed Download PDF	33
4. 1936: Duchamp Transforms the Painting Into an Experimental Setup Requires Authentication Unlicensed Licensed Download PDF	63
5. Humorous Application of Non-Euclidean Geometry Requires Authentication Unlicensed Licensed Download PDF	83
6. The Crisis of the Scientific Concept of Truth Requires Authentication Unlicensed Licensed Download PDF	99
7. Pataphysics, Chance, and the Aesthetics of the Possible Requires Authentication Unlicensed Licensed Download PDF	117
8. Radical Individualism Requires Authentication Unlicensed Licensed Download PDF	133
Notes Requires Authentication Unlicensed Licensed Download PDF	145
Bibliography Requires Authentication Unlicensed Licensed Download PDF	193
Index Requires Authentication Unlicensed Licensed Download PDF	211

Language: English
Publisher: Columbia University Press
Audience: Professional and scholarly;
Pages
- Main content: 240
Illustrations
- Illustrations: 37
- Other: 37 illus.

eBook

Published: May 31, 2010
ISBN: 9780231519748