“With beautiful prose and nuanced analysis, Fessenden navigates the reader through the religious landscape that shaped Holiday’s life and career and tunes our ear to listen for how the soundscape and spirituality of those religious sources shaped her artistry. What emerges is a rich and compelling portrait at the intersection of Holiday’s personal history, American Catholicism, blues and jazz culture, and the currents of race and gender in American life.”
—Judith Weisenfeld, author of New World A-Coming: Black Religion and Racial Identity during the Great Migration
“It’s refreshing to read a nonfiction text so freewheeling, and to encounter a scholar who so delights in making observations for the sheer wit of them. Fessenden is interested in Holiday’s contemporaries and the coincidences of her career, and these aren’t artificially forced into an argument.”
—Katherine Lucky, Commonweal
“A hungry, centrifugal curiosity animates Fessenden’s writing. At times, her sense of ‘religion around’ seems capacious enough to include nothing less than America itself. . . . The reward is richness of scope: every page brings a new tumble down another rabbit hole of twentieth-century American cultural history.”
—Brett Grainger, American Catholic Studies
“Fessenden’s work has significant value, particularly for the scholar invested in lived religion or the history of religion, jazz, and American popular culture.”
—Adam Sweatman, Reading Religion
“A focused, enlightening examination of the gifted singer.”
—Nick Ripatrazone, The Millions
“Religion Around Billie Holiday is Fessenden's own performance of what listening around a life allows one to hear of religion and of America more broadly. She does it in a beautiful way.”
—Hannah C. Garvey, American Religion
“Joining Matthew J. Cressler’s important study of Vatican II and Black Power in mid-century Chicago with Authentically Black and Truly Catholic: The Rise of Black Catholicism in the Great Migration (New York University Press, 2017) is Fessenden’s towering close reading of an African American vocalist whose Catholic-informed life, and others’ memory of it, reflect her discursive and performative treatment as the patron saint of jazz.”
—Vaughn A. Booker, Material Religion
“From first to last, the prose is consistently compelling, the insights sharp and often surprising. One comes away from this book knowing more about lots of things and admiring the seamless interweaving. It will be impossible to hear Holiday’s music the same way.”
—David W. Stowe, Journal of the American Academy of Religion
“Illuminating, graceful, insightful, and bold, Tracy Fessenden’s marvelous interpretation of Billie Holiday is no mere biography. Religion Around Billie Holiday is an extension of, and improvisation on, the big questions shaping Fessenden’s work. Holiday is not only, in Fessenden’s imagination, an exemplary narrative subject. She also challenged the naturalization of American racial, gendered, and religious norms. Through her, Fessenden brilliantly shows us the fault lines in identity that were there all along, like more strange fruit.”
—Jason C. Bivins, author of Spirits Rejoice! Jazz and American Religion