Hysterical!: Women in American Comedy

Published by University of Texas Press 2017

Hysterical!

Women in American Comedy

Edited by: Linda Mizejewski and Victoria Sturtevant
With contributions by: Kathleen Rowe Karlyn

https://doi.org/10.7560/314517

Overview
Contents

About this book

Ideal for classroom use, this anthology of original essays by the leading authorities on women’s comedy surveys the disorderly, subversive, and unruly performances of women comics from silent film to contemporary multimedia

Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.

Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.

Author / Editor information

Linda Mizejewski is a professor of women’s, gender, and sexuality studies at the Ohio State University. Her most recent book is Pretty/Funny: Women Comedians and Body Politics.

Victoria Sturtevant is an associate professor of film and media studies and associate dean of the College of Arts and Sciences at the University of Oklahoma. She is the author of A Great Big Girl Like Me: The Films of Marie Dressler.

Reviews

Here to meet all your funny female deep-read needs . . . a juicy read for those who love the many ways female comics use their art to question the patriarchy.

— BUST

Hysterical! is and will be of benefit to any scholar studying women and humour and especially for star studies scholars that focus on funny women.

— Aigne

Hysterical! is wide-ranging, well-researched, and clearly written, making it accessible to both academic and general audiences…an invaluable collection and a great read."

— Journal of Popular Culture

Together, Mizejewski and Sturtevant create a collection which thoroughly explores aspects of the body, gender, and sexuality in American women’s comedy, shedding light on the fact that, to appear funny to men, women often find themselves making fun of their own bodies and sexual experiences in a way most male comics do not...Hysterical! is a thorough collection of essays on the works of women in American comedy, focusing on themes relating to the body, sexuality, and expectations of women in society.

— Popular Culture Studies Journal

This stunning collection of original essays on American women comedians is a welcome treasure. It will no doubt earn pride of place with now canonical collections, and, in like manner, usher in a new generation of scholarship on the subject. Of equal importance, this book is a fun read, an experience at once intellectually festive and inspiring. It calls out to be adopted for classroom use and will also, I believe, encourage instructors to develop courses organized around it.

— Jennifer M. Bean, University of Washington, coeditor of A Feminist Reader in Early Cinema

A milestone. Spanning generations of performers and scholars, Hysterical! testifies to the power of comedy to stimulate incisive conversations and build connections across the boundaries of time.

— Kathleen Rowe Karlyn, from the foreword

Hysterical! offers a history of entertainment, a social history of women, and a history of feminist thought, as well as a history of funny women.

— Mary Beth Haralovich, University of Arizona, coeditor of Television, History, and American Culture: Feminist Critical Essays

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Foreword Kathleen Rowe Karlyn Publicly Available Download PDF	vii
Acknowledgments Publicly Available Download PDF	xi
INTRODUCTION Linda Mizejewski and Victoria Sturtevant Requires Authentication Unlicensed Licensed Download PDF	1
Chapter 1. Mabel Normand: New Woman in the Flapper Age Kristine Brunovska Karnick Requires Authentication Unlicensed Licensed Download PDF	35
Chapter 2. Fay Tincher: Female Rowdiness and Social Change Joanna E Rapf Requires Authentication Unlicensed Licensed Download PDF	62
Chapter 3. Mae West: The Constant Sinner Kristen Hatch Requires Authentication Unlicensed Licensed Download PDF	86
Chapter 4. Fanny Brice’s New Nose: Beauty, Ethnicity, and Liminality Kristen Anderson Wagner Requires Authentication Unlicensed Licensed Download PDF	109
Chapter 5. Lucille Ball and the Lucy Character: Familiarity, Female Friendship, and the Anxiety of Competence Lori Landay Requires Authentication Unlicensed Licensed Download PDF	137
Chapter 6. Carol Burnett: Home, Horror, and Hilarity on The Carol Burnett Show Linda Mizejewski Requires Authentication Unlicensed Licensed Download PDF	164
Chapter 7. Lily Tomlin: Queer Sensibilities, Funny Feminism, and Multimedia Stardom Suzanne Leonard Requires Authentication Unlicensed Licensed Download PDF	186
Chapter 8. Moms Mabley and Wanda Sykes: “I’ma Be Me” Bambi Haggins Requires Authentication Unlicensed Licensed Download PDF	207
Chapter 9. Roseanne Barr: Remembering Roseanne Rosie White Requires Authentication Unlicensed Licensed Download PDF	233
Chapter 10. Whoopi Goldberg in Hollywood: Queering Comic Genre Genealogies Rebecca Wanzo Requires Authentication Unlicensed Licensed Download PDF	251
Chapter 11. Margaret Cho’s Army: “We Are the Baddest Motherfuckers on the Block” Rebecca Krefting Requires Authentication Unlicensed Licensed Download PDF	273
Chapter 12. Ellen DeGeneres’s Incorporate Body: The Politics of Authenticity Brenda R. Weber and Joselyn K. Leimbach Requires Authentication Unlicensed Licensed Download PDF	303
Chapter 13. Sarah Silverman: Cuteness as Subversion Anthony P. Mcintyre Requires Authentication Unlicensed Licensed Download PDF	325
Chapter 14. Tina Fey: “Quality” Comedy and the Body of the Female Comedy Author Julia Havas Requires Authentication Unlicensed Licensed Download PDF	347
Chapter 15. Lena Dunham: Cringe Comedy and Body Politics Maria Sulimma Requires Authentication Unlicensed Licensed Download PDF	379
Works Cited Requires Authentication Unlicensed Licensed Download PDF	403
Contributors Requires Authentication Unlicensed Licensed Download PDF	423
Index Requires Authentication Unlicensed Licensed Download PDF	427

Language: English
Publisher: University of Texas Press
Audience: Professional and scholarly;
Pages
- Main content: 472

eBook

Published: December 6, 2017
ISBN: 9781477314531