Screening Stephen King: Adaptation and the Horror Genre in Film and Television

Simon Brown

Published by University of Texas Press 2018

Screening Stephen King

Adaptation and the Horror Genre in Film and Television

Simon Brown

https://doi.org/10.7560/314913

Overview
Contents

About this book

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.

Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s Carrie, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.

Author / Editor information

SIMON BROWN is an associate professor of film and television at Kingston University. His previous books include Cecil Hepworth and the Rise of the British Film Industry 1899–1911.

Reviews

"This book is not only essential as a study of Stephen King and his works adapted to the big and small screen; it is also an exemplary study of the evolution of the horror genre in its ebb and flow from literary adaptation to gore-laden saturation and beyond since the mid-1970s. Brown has done extraordinary work synthesizing cultural mood, generic tastes and trends, production problems, script rewrites, and, most crucially, the branding of Stephen King himself as profound influences on the studied texts and their critical reception. I can think of no other book on King that takes this unique approach and achieves this synthesis as successfully as this one."

— Sorcha Ní Fhlainn, Manchester Metropolitan University, author of Postmodern Vampires: Film, Fiction, and Popular Culture

"This book’s primary strength is its accessibility to both the scholarly and the general reader. In an original and intuitively satisfying manner, it gathers together the unruly mess of King adaptations into one coherent package and places it within the sociocultural and industrial context of four decades of horror. This reframing of otherwise familiar material makes the work a valuable contribution to the study of King."

— Philip L. Simpson, Eastern Florida State College, author of Psycho Paths: Tracking the Serial Killer Through Contemporary American Film

"Brown has done an excellent job of bringing together the many film and television King adaptations – the good, the bad and the ugly – and has packaged them into one coherent and, most importantly, accessible volume."

— LSE Review of Books

"[A] seminal text...Thoroughly researched and engaging."

— Popular Culture Studies Journal

"A unique, valuable addition to the academic world…this text grants an innovative perspective that will pique the interest of many scholars…As a result of its meticulous construction, Simon Brown's text provides an original, valuable contribution to the humanities."

— Journal of Popular Culture

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Acknowledgments Publicly Available Download PDF	vii
Introduction Requires Authentication Unlicensed Licensed Download PDF	1
Chapter 1. Mainstream Horror and Brand Stephen King Requires Authentication Unlicensed Licensed Download PDF	23
Chapter 2 . Stephen King from Vietnam to Reagan: The Early Adaptations and the Establishment of Brand Stephen King on the Screen Requires Authentication Unlicensed Licensed Download PDF	48
Chapter 3. The Mainstream Adaptations, 1986–2007 86 Requires Authentication Unlicensed Licensed Download PDF	86
Chapter 4 . Stephen King as Low-Budget and Straight-to-DVD Horror Requires Authentication Unlicensed Licensed Download PDF	122
Chapter 5. Stephen King as TV Horror Requires Authentication Unlicensed Licensed Download PDF	150
Conclusion. The Future Is Also History: The Contemporary Evolution of Brand Stephen King Requires Authentication Unlicensed Licensed Download PDF	184
Selected TV and Filmography Requires Authentication Unlicensed Licensed Download PDF	193
References Requires Authentication Unlicensed Licensed Download PDF	199
Index Requires Authentication Unlicensed Licensed Download PDF	213

Language: English
Publisher: University of Texas Press
Audience: Professional and scholarly;
Pages
- Main content: 226

eBook

Published: February 28, 2018
ISBN: 9781477314937