Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture

W. T. Lhamon Jr.

Published by Harvard University Press 2003

Jump Jim Crow

Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture

W. T. Lhamon Jr.

https://doi.org/10.4159/9780674274815

Overview
Contents

About this book

Beginning in the 1830s, white actor Thomas Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered—and forever transformed—American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness.

Reviews

In the developing field of Atlantic proletarian studies, and the associated study of minstrelsy and the minstrel stage, Jump Jim Crow is a milestone. Lhamon's discovery of and scholarship upon the songs and plays is admirably painstaking and in many ways groundbreaking. He has made it easier to imagine this early stage of minstrelsy as a confluence of free-floating vernacular material with the local struggles among urban proto-classes; cliques, gangs, parties, and publics in the 1820s and 30s. He has, in other words, built foundations under Constance Rourke's intuition of sixty years ago that Jim Crow belongs with Crockett and Fink on the frontier - literally and figuratively - of the market revolution. Much of what has been theorized or imagined about the popular culture of the 1830s and 40s from Rourke onwards emerges with new freshness and clarity in these texts, and some that has not yet been either theorized or imagined.
-- Robert Cantwell, author of Bluegrass Breakdown and When We Were Good.

Scholars are belatedly coming to realize that minstrelsy is the source of much that we value in American vernacular music and much that we abhor in views that many white Americans have held and still hold toward African Americans. If we are to begin to understand either of these consuming issues, we must address minstrelsy. The topic is, in brief, of immense social, political, and cultural importance. Lhamon is the first to do full justice to the life, work, and politics of T.D. Rice, the most important early blackface minstrel, and his book is the first to collect in one resource extant plays and lyrics by Rice, many of which Lhamon has rediscovered. This book makes an important and impressive contribution to the field.
-- Dale Cockrell, author of Demons of Disorder and Pasticcio and Temperance Plays in America.

Lhamon provides a superb follow-up to his outstanding Raising Cain: Blackface Performance from Jim Crow to Hip Hop. This study focuses on the character of Jim Crow (a 'cultural collage') as evolved largely by actor Tomas D. Rice (1806-1860), before the meaning of the name became chiseled in stone...At the heart of the book are expertly and thoroughly edited texts of thirteen songs, nine plays (including the never-published Otello), and two street prose versions of Jim Crow's life. These, along with illustrations and a perceptive, many-layered, and lengthy analytical introduction, make for the most complete offering of primary sources and criticism available to lead readers toward an understanding of these complex texts, their coding, and the controversial figure of Jim Crow.
-- D. B. Wilmeth Choice

Lhamon's new Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture is a monumental labor of textual reconstruction matched by a long and extraordinary introduction.
-- Robert Christgau The Believer

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Preface: Slipping the Yoke Publicly Available Download PDF	vii
llustrations Publicly Available Download PDF	xi
INTRODUCTION An Extravagant and Wheeling Stranger Requires Authentication Unlicensed Licensed Download PDF	1
SONGS Requires Authentication Unlicensed Licensed Download PDF	93
PLAYS Requires Authentication Unlicensed Licensed Download PDF	147
Street Prose Requires Authentication Unlicensed Licensed Download PDF	385
Notes Requires Authentication Unlicensed Licensed Download PDF	407
Acknowledgments Requires Authentication Unlicensed Licensed Download PDF	455
Index Requires Authentication Unlicensed Licensed Download PDF	457

Language: English
Publisher: Harvard University Press
Audience: Professional and scholarly;
Pages
- Main content: 478

eBook

Published: July 31, 2003
ISBN: 9780674274815