Subjective Realist Cinema: From Expressionism to <i>Inception</i>

Matthew Campora

Published by Berghahn Books 2014

Subjective Realist Cinema

From Expressionism to Inception

Matthew Campora

https://doi.org/10.1515/9781782382799

Overview
Contents

About this book

Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Author / Editor information

Matthew Campora is a Lecturer at the Australian Film Television and Radio School and an Honorary Research Fellow at the Centre for Critical and Cultural Studies. He holds an MPhil in literary studies and a PhD in film studies from the University of Queensland.

Reviews

“In his timely and erudite book, Matthew Campora…makes use of a variety of analytical tools and methods, from narrative theory to historiography to reception studies. The result is a thorough volume that successfully combines theory and interpretation...Campora’s goals are numerous, and he moves through his information clearly and carefully…and makes the reader want to return to the films themselves, to watch them each anew with [his] insights in mind. Campora’s book illuminates many fascinating features of these films and this genre, and his book will be of interest to a wide variety of readers.” · Film Criticism

“…identifies and defines a distinct group of films within contemporary complex narrative films, partly tracing historical antecedents, using a useful taxonomy for contemporary complex narrative films.” · Nitzan Ben Shaul, Tel Aviv University

“This book effectively combines theories of multiform narrative with subjective realism to develop a sophisticated theory of complex storytelling in contemporary cinema. It presents detailed and distinct analyses of [a number of important films].” · Warren Buckland, Oxford Brookes University

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	vii
Acknowledgments Publicly Available Download PDF	ix
Introduction Requires Authentication Unlicensed Licensed Download PDF	1
Chapter 1. Complex Narratives Requires Authentication Unlicensed Licensed Download PDF	14
Chapter 2. Two Trajectories of the Cinema of Attractions Requires Authentication Unlicensed Licensed Download PDF	39
Chapter 3. Subjective Realism and Multiform Narratives Requires Authentication Unlicensed Licensed Download PDF	52
Chapter 4. Mulholland Drive Requires Authentication Unlicensed Licensed Download PDF	68
Chapter 5. Memento Requires Authentication Unlicensed Licensed Download PDF	94
Chapter 6. Eternal Sunshine of the Spotless Mind Requires Authentication Unlicensed Licensed Download PDF	112
Conclusion Requires Authentication Unlicensed Licensed Download PDF	132
Filmography Requires Authentication Unlicensed Licensed Download PDF	139
Bibliography Requires Authentication Unlicensed Licensed Download PDF	143
Index Requires Authentication Unlicensed Licensed Download PDF	147

Language: English
Publisher: Berghahn Books
Audience: Professional and scholarly;
Pages
- Main content: 160
Keywords: Film and Television Studies

eBook

Published: March 1, 2014
ISBN: 9781782382799