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This volume presents papers delivered at the 24th Annual Klutznick Harris Symposium, held at Creighton University in October 2011. The contributors look at all aspects of the intimate relationship between Jews and clothing, through case studies from ancient, medieval, recent, and contemporary history. Papers explore topics ranging from Jewish leadership in the textile industry, through the art of fashion in nineteenth-century Vienna, to the use of clothing as a badge of ethnic identity, in both secular and religious contexts. Contents: Shmattas in the North, Shmattas in the South: The Civil War and the Birth of the American Clothing Industry (Adam Mendelsohn); Weimar Jewish Chic from Wigs to Furs: Jewish Women and Fashion in 1920s Germany (Kerry Wallach); Jewish Photographers and the Body in the Weimar Republic (Nils Roemer); Female Tallitot: Creating American Jewish Women’s Religious Experience through Fashion (Rachel Gordan); Clothes and the Weaving of American Jewish Comedy (Ted Merwin); The Jewish Badge in Renaissance Italy: The Iconic O, the Yellow Hat, and the Paradoxes of Distinctive Sign Legislation (Flora Cassen); How a Rabbi Should Be Dressed: The Question of Cassock and Clerical Clothing among Italian Rabbis from the Renaissance to Contemporary Times (Asher Salah); The “Disinherited” Priesthood: A Look into Biblical Israel’s Unshod Priest (Christine Palmer); Costume and Identity in the Dura Europos Synagogue Paintings (Steven Fine); Picturing Vienna’s New Woman: Madame d’Ora meets Ella Zwieback-Zirner (Lisa Silverman); Aboriginal Yarmulkes, Ambivalent Attire, and Ironies of Contemporary Jewish Identity (Eric Silverman); Fashioning Jews on the Screen: The Impact of Dress on Crafting the Jewish Image in Film and Television (Brian Amkraut)

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-v
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  1. Table of Contents
  2. pp. v-vii
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  1. Acknowledgments
  2. pp. viii-ix
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  1. Editor’s Introduction
  2. pp. x-xiv
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  1. Contributors
  2. pp. xv-xvi
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  1. Unshod on Holy Ground: Ancient Israel’s “Disinherited” Priesthood
  2. Christine Palmer
  3. pp. 1-18
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  1. How Do You Know a Jew When You See One? Reflections on Jewish Costume in the Roman World
  2. Steven Fine
  3. pp. 19-28
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  1. From Iconic O to Yellow Hat: Anti-Jewish Distinctive Signs in Renaissance Italy
  2. Flora Cassen
  3. pp. 29-48
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  1. How Should a Rabbi Be Dressed? The Question of Rabbinical Attire in Italy from Renaissance to Emancipation (Sixteenth–Nineteenth Centuries)
  2. Asher Salah
  3. pp. 49-66
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  1. The Clerks’ Work: Jews, Clerical Work, and the Birth of the American Garment Industry
  2. Adam D. Mendelsohn
  3. pp. 67-76
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  1. Ella Zirner-Zwieback, Madame d’Ora, and Vienna’s New Woman
  2. Lisa Silverman
  3. pp. 77-98
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  1. Photographers, Jews, and the Fashioning of Women in the Weimar Republic
  2. Nils Roemer
  3. pp. 99-112
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  1. Weimar Jewish Chic: Jewish Women and Fashion in 1920s Germany
  2. Kerry Wallach
  3. pp. 113-136
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  1. Unbuttoned: Clothing as a Theme in American Jewish Comedy
  2. Ted Merwin
  3. pp. 137-166
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  1. “What a Strange Power There Is in Clothing”: Women’s Tallitot
  2. Rachel Gordan
  3. pp. 167-176
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  1. Aboriginal Yarmulkes, Ambivalent Attire, and Ironies of Contemporary Jewish Identity
  2. Eric K. Silverman
  3. pp. 177-205
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