Extravagant Abjection: Blackness, Power, and Sexuality in the African American Literary Imagination

Darieck Scott

Published by New York University Press 2010

Extravagant Abjection

Blackness, Power, and Sexuality in the African American Literary Imagination

Darieck Scott

Volume 17 in the series Sexual Cultures

https://doi.org/10.18574/nyu/9780814740941.001.0001

Overview
Contents

About this book

Part of the American Literatures Initiative Series

2011 Winner of the Alan Bray Memorial Book Award presented by the Modern Language Association

Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.

Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.

In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.

Author / Editor information

Scott Darieck :

Darieck Scott is Professor of African American studies at the University of California-Berkeley. He is the author of the novels Hex and Traitor to the Race, and the editor of Best Black Gay Erotica.Darieck Scott is Professor of African American studies at the University of California-Berkeley. He is the author of the novels Hex and Traitor to the Race, and the editor of Best Black Gay Erotica.

Reviews

Extravagant Abjections suturing of bottoming and volitional powerlessness, a mere and indeterminate power, reframes a sexual politics that only recognizes a notion of freedom approaching an infinity curvethe liberatory horizon that queer theory as too often yearned for.

[Scott] arrives at the provocative notion that it is the black body's status as brought into being by and through past trauma that makes it best positioned to tap the inherent powers of abjection.

Michael Cobb,author of God Hates Fags:
According to Darieck Scott, the awful legacies of racial difference and debasement are not inevitable. And so in Extravagant Abjection, he deftly paves the way for new understandings of the history and culture of black power and violence. His work is theoretically exciting and sophisticated, offering invaluable lessons: that the violent pressure of black historythe pressure of its terrible subordinationcan be relieved, often in unexpected ways. Scott helps us see, even in the most humiliating and violent of scenes, an entire horizon of other, sometimes pleasurable, possibilities of resistance.

Robert Reid-Pharr,author of Once You Go Black:
A powerful theoretical statement in the emerging field of black queer studies, Extravagant Abjection makes the bold claim that it is necessary to work through and not simply to & white wash the political, social, ideological, and psychological consequences of what Darieck Scott names & black abjection. Building upon the insights of the more articulate practitioners of bondage and submission, Sadism and Masochism, Scotts readings of key texts in twentieth century Black American literature are at once sophisticated, provocative, creative, and indeed titillating. This book will surely become a & dark classic.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	vii
Acknowledgments Publicly Available Download PDF	ix
Introduction Blackness, Abjection, and Sexuality Requires Authentication Unlicensed Licensed Download PDF	1
1. Fanon’s Muscles (Black) Power Revisited Requires Authentication Unlicensed Licensed Download PDF	32
2. “A Race That Could Be So Dealt With” Terror, Time, and (Black) Power Requires Authentication Unlicensed Licensed Download PDF	95
3. Slavery, Rape, and the Black Male Abject Requires Authentication Unlicensed Licensed Download PDF	126
4. The Occupied Territory Homosexuality and History in Amiri Baraka’s Black Arts Requires Authentication Unlicensed Licensed Download PDF	172
5. Porn and the N-Word Lust, Samuel Delany’s The Mad Man, and a Derangement of Body and Sense(s) Requires Authentication Unlicensed Licensed Download PDF	204
Conclusion Extravagant Abjection Requires Authentication Unlicensed Licensed Download PDF	257
Notes Requires Authentication Unlicensed Licensed Download PDF	271
Index Requires Authentication Unlicensed Licensed Download PDF	301
About the Author Requires Authentication Unlicensed Licensed Download PDF	318

Language: English
Publisher: New York University Press
Audience: Professional and scholarly;

eBook

Published: July 1, 2010
ISBN: 9780814786543