Satire TV: Politics and Comedy in the Post-Network Era

Published by New York University Press 2009

Satire TV

Politics and Comedy in the Post-Network Era

Edited by: Jonathan Gray , Jeffrey P. Jones and Ethan Thompson

https://doi.org/10.18574/nyu/9780814733097.001.0001

Overview
Contents

About this book

A fascinating look into what happens when comedy becomes political and politics becomes comedy

Satirical TV has become mandatory viewing for citizens wishing to make sense of the bizarre contemporary state of political life. Shifts in industry economics and audience tastes have re-made television comedy, once considered a wasteland of escapist humor, into what is arguably the most popular source of political critique. From fake news and pundit shows to animated sitcoms and mash-up videos, satire has become an important avenue for processing politics in informative and entertaining ways, and satire TV is now its own thriving, viable television genre.

Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil’ Bush to Chappelle’s Show, along with Internet D.I.Y. satire and essays on British and Canadian satire. They all offer insights into what today’s class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.

Author / Editor information

Gray Jonathan :

Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts, Professor of Media and Cultural Studies at the University of Wisconsin, Madison, and author and editor of numerous books, including Show Sold Separately: Promos, Spoilers, and Other Media Paratexts (2010), Fandom, Second Edition (2017), Keywords for Media Studies (2017), and Satire TV (2009), as well as Television Studies (with Amanda D. Lotz), and A Companion to Media Authorship (with Derek Johnson).Jones Jeffrey P. :

Jeffrey P. Jones is Associate Professor of Communication & Theatre Arts at Old Dominion University. He is the author of Entertaining Politics: New Political Television and Civic Culture and co-editor of The Essential HBO Reader.Thompson Ethan :

Ethan Thompson is Professor of Media Arts at Texas A&M University–Corpus Christi. He is the author of Parody and Taste in Postwar American Television Culture and co-editor of Television History, the Peabody Archive, and Cultural Memory and Satire TV: Politics and Comedy in the Post-Network Era. He directed the documentary TV Family about a forgotten forerunner to reality television.Jonathan Gray (Editor)
Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts, Professor of Media and Cultural Studies at the University of Wisconsin, Madison, and author and editor of numerous books, including Show Sold Separately: Promos, Spoilers, and Other Media Paratexts (2010), Fandom, Second Edition (2017), Keywords for Media Studies (2017), and Satire TV (2009), as well as Television Studies (with Amanda D. Lotz), and A Companion to Media Authorship (with Derek Johnson).

Jeffrey P. Jones (Editor)
Jeffrey P. Jones is Associate Professor of Communication & Theatre Arts at Old Dominion University. He is the author of Entertaining Politics: New Political Television and Civic Culture and co-editor of The Essential HBO Reader.

Ethan Thompson (Editor)
Ethan Thompson is Professor of Media Arts at Texas A&M University–Corpus Christi. He is the author of Parody and Taste in Postwar American Television Culture and co-editor of Television History, the Peabody Archive, and Cultural Memory and Satire TV: Politics and Comedy in the Post-Network Era. He directed the documentary TV Family about a forgotten forerunner to reality television.

Reviews

John Hartley,author of Television Truths:
This smart and savvy crew has noticed something creeping up on us, something with bite. Now we have to take satire TV seriously; it turns out to be the bearer of the democratic spirit for the post-broadcast age. In this field-shaping book, some of the brightest talents in TV studies show us how the marginal has become the model for a much-needed media make-over. See what happens when entertainment bares its teeth.

Heather Hendershot,editor of Nickelodeon Nation: The History, Politics and Economics of Americas Only TV Channel for Kids:
It has been said that if you have to explain a joke, its not funny. This wonderful collection proves that nothing could be farther from the truth. Satire TV takes the study of comedy in new directions, expanding beyond earlier work done on classical Hollywood cinema and the sitcom. In politically trying times, the contributors to this volume reveal through analysis of programs such as South Park, The Daily Show, and The Colbert Report, laughter is not the best medicineit is the surgeon’s scalpel.

Evan Elkins:
Satire TV represents a valuable investigation into the somplex relationships among mediated politics, televisual comedy, media reception, and democratic participation. With academic studies of comedy still representing a somewhat small (but ever-growing) facet of the media studies canon, Gray, Jones, and Thompson's anthology represents a worthy primer on the broad functions of satirical media, a timely investigation of a contemporary televisual phenomenon, and an argument for further examination of the political dimensions of television comedy.

James Maritato:
Satire TV presents twelve well written essays, rife with deep analysis of the value of satire television and its functions toward breaking down elitist discourse and creating oppotunities for pubilc content.

. . . the book has succeeded. It made me think outside the points made by the various essayists. It made me think about how I now consume the news.

The authors of Satire TV make no bones about it: Satire is a gateway drug that does more good for democracy than harm....This book offers historical depth and theoretically sophisticated approaches to satire TV’s contemporary breadth.

These sharp, compelling essays respond to the current state of American politics, which is characterized by politicians abandoning shame, news media trivializing political news, and commentators screaming at one another. . . . Many young Americans consider satirical television news their primary source of news, and this volume helps one understand why. Stewart, Colbert, et al. take news seriously. They may be the only ones left on television who do. . . . Highly recommended.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Foreword David Marc Publicly Available Download PDF	ix
PART I Post 9/11, Post Modern, or Just Post Network?
1 The State of Satire, the Satire of State Jonathan Gray, Jeffrey P. Jones and Ethan Thompson Requires Authentication Unlicensed Licensed Download PDF	3
2 With All Due Respect Satirizing Presidents from Saturday Night Live to Lil’ Bush Jeffrey P. Jones Requires Authentication Unlicensed Licensed Download PDF	37
3 Tracing the “Fake” Candidate in American Television Comedy Heather Osborne-Thompson Requires Authentication Unlicensed Licensed Download PDF	64
PART II Fake News, Real Funny
4 And Now . . . the News? Mimesis and the Real in The Daily Show Amber Day Requires Authentication Unlicensed Licensed Download PDF	85
5 Jon Stewart and The Daily Show I Thought You Were Going to Be Funny! Joanne Morreale Requires Authentication Unlicensed Licensed Download PDF	104
6 Stephen Colbert’s Parody of the Postmodern Geoffrey Baym Requires Authentication Unlicensed Licensed Download PDF	124
PART III Building in the Critical Rubble
7 Throwing Out the Welcome Mat Public Figures as Guests and Victims in TV Satire Jonathan Gray Requires Authentication Unlicensed Licensed Download PDF	147
8 Speaking “Truth” to Power? Television Satire, Rick Mercer Report, and the Politics of Place and Space Serra Tinic Requires Authentication Unlicensed Licensed Download PDF	167
9 Why Mitt Romney Won’t Debate a Snowman Henry Jenkins Requires Authentication Unlicensed Licensed Download PDF	187
PART IV Shock and Guffaw: The Limits of Satire
10 Good Demo, Bad Taste South Park as Carnivalesque Satire Ethan Thompson Requires Authentication Unlicensed Licensed Download PDF	213
11 In the Wake of “The Nigger Pixie” Dave Chappelle and the Politics of Crossover Comedy Bambi Haggins Requires Authentication Unlicensed Licensed Download PDF	233
12 Of Niggas and Citizens The Boondocks Fans and Differentiated Black American Politics Avi Santo Requires Authentication Unlicensed Licensed Download PDF	252
About the Contributors Requires Authentication Unlicensed Licensed Download PDF	275
Index Requires Authentication Unlicensed Licensed Download PDF	277

Language: English
Publisher: New York University Press
Audience: Professional and scholarly;
Illustrations
- Other: 21 black and white illustrations
Keywords: about; citizenship; class; comedy; current; does; politics; satire; state; television; tell; todays; What

eBook

Published: April 1, 2009
ISBN: 9780814733097