Difficult Diasporas: The Transnational Feminist Aesthetic of the Black Atlantic

Samantha Pinto

Published by New York University Press 2013

Difficult Diasporas

The Transnational Feminist Aesthetic of the Black Atlantic

Samantha Pinto

https://doi.org/10.18574/nyu/9780814759486.001.0001

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About this book

Winner of the 2013 Modern Language Association's William Sanders Scarborough Prize for Outstanding Scholarly Study of Black American Literature

In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora.

Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.

Author / Editor information

Pinto Samantha :

Samantha Pinto is Associate Professor of English and Affilated Faculty of Women's and Gender Studies, African and African Diaspora Studies, the Warfield Center for African American Studies, and LGBTQ Studies at the University of Texas at Austin. She is the author of Difficult Diasporas: The Transnational Feminist Aesthetic of the Black Atlantic (2013), which won the 2013 William Sanders Scarborough Prize for African American Literature and Culture from the MLA.Samantha Pinto is Associate Professor of English and Affilated Faculty of Women's and Gender Studies, African and African Diaspora Studies, the Warfield Center for African American Studies, and LGBTQ Studies at the University of Texas at Austin. She is the author of Difficult Diasporas: The Transnational Feminist Aesthetic of the Black Atlantic (2013), which won the 2013 William Sanders Scarborough Prize for African American Literature and Culture from the MLA.

Reviews

In its richness of content and advancement of the fields of African diaspora and feminist studies,Difficult Diasporasproves that such risks can yieldgroundbreaking scholarship.

By illustrating carefully the core contradictions of diaspora that fail to address problems of representation and nonnormative experiences for black women adequately and critically, Pinto provides an important and necessary venue to place gender at the center of aesthetic and formal representations of diaspora.

The central idea of Samantha Pintos Difficult Diasporasis simple in a good way and worthy of pursuit.

There are lessons to be learned from this study.

Brent Hayes Edwards,author of The Practice of Diaspora:
Difficult Diasporas charts a dazzlingly fecund constellation of black feminist literature by Anglophone writers from the US, the UK, the Caribbean, and Africa. Pinto reads an archive of & stray companions, a disparate array of writers linked less by influence, lineage, or geography than an adamant contention that the only literature adequate to the historical dislocation of diaspora is a literature that is formally dislocateda literature of radical experimentation, even opacity and disorder. Poised at the crossroads between literary innovation and transnational culture, Difficult Diasporas will be known as a model of what it means to read for a feminist poetics of diaspora.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Acknowledgments Publicly Available Download PDF	vii
Introduction: The Feminist Disorder of Diaspora Requires Authentication Unlicensed Licensed Download PDF	1
1 / The World and the “Jar”: Jackie Kay and the Feminist Locations of the African Diaspora Requires Authentication Unlicensed Licensed Download PDF	18
2 / It’s Lonely at the Bottom: Elizabeth Alexander, Deborah Richards, and the Cosmopolitan Poetics of the Black Body Requires Authentication Unlicensed Licensed Download PDF	44
3 / The Drama of Dislocation: Staging Diaspora History in the Work of Adrienne Kennedy and Ama Ata Aidoo Requires Authentication Unlicensed Licensed Download PDF	77
4 / Asymmetrical Possessions: Zora Neale Hurston, Erna Brodber, and the Gendered Fictions of Black Modernity Requires Authentication Unlicensed Licensed Download PDF	106
5 / Intimate Migrations: Narrating “Third World Women” in the Short Fiction of Bessie Head, Zoë Wicomb, and Pauline Melville Requires Authentication Unlicensed Licensed Download PDF	142
6 / Impossible Objects: M. NourbeSe Philip, Harryette Mullen, and the Diaspora Feminist Aesthetics of Accumulation Requires Authentication Unlicensed Licensed Download PDF	175
Coda: The Risks of Reading Requires Authentication Unlicensed Licensed Download PDF	201
Notes Requires Authentication Unlicensed Licensed Download PDF	209
References Requires Authentication Unlicensed Licensed Download PDF	233
Index Requires Authentication Unlicensed Licensed Download PDF	265

Language: English
Publisher: New York University Press
Audience: Professional and scholarly;

eBook

Published: September 6, 2013
ISBN: 9780814789360