Overview
Explores fiction, poetry, literary criticism, film, rock music, and philosophy
Allows for a broad view on retrospection and revision
Is distinctive in its focus on such revisits, as well as in the diversity of art forms under review
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Table of contents (18 chapters)
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Front Matter
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Retrospection and Memory
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Front Matter
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Revision, Politics, and Ideology
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Front Matter
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Revisiting and Control: The Artist’s Legacy
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Front Matter
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Transformation and Change in Late Work
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Front Matter
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Creation, Aging, and the Prospect of Death
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Front Matter
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Keywords
About this book
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
Reviews
“What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this “backward look,” resisting standard reductive formations such as ‘late style’ in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity – and indeed, in one memorable case, beyond the grave.”
—Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK.
Editors and Affiliations
About the editors
Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams).
Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
Bibliographic Information
Book Title: Retrospection and Revision in Modern and Contemporary Art, Literature and Music
Editors: Mette Gieskes, Mathilde Roza
DOI: https://doi.org/10.1007/978-3-031-39598-7
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2024
Hardcover ISBN: 978-3-031-39597-0Published: 04 January 2024
Softcover ISBN: 978-3-031-39600-7Due: 18 January 2025
eBook ISBN: 978-3-031-39598-7Published: 03 January 2024
Edition Number: 1
Number of Pages: XXIII, 378
Number of Illustrations: 6 b/w illustrations, 46 illustrations in colour
Topics: Audio-Visual Culture, Arts, Arts, Arts